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(born 1996 in Antwerp, BE)

In general, I am a painter, because most of my work is based inside the painting medium, I graduated the Royal Academy of Antwerp with a painting Ma, and it is my most comfortable and most knowledgeable language. But at the core of my practice I work with and collect ideas, mostly in relation with their language and/or to their context, and try to find ways to understand, transform and reflect on these.

The themes and obsessions in and around my work are history, religion and mythology; systems and methodology; the relation between archetypical imagery and personal experiences; and how all these frameworks interact, shape and reframe each other.

In the way I try to understand and evaluate my practice, the actual work is the interaction between the viewer and the object, and so hopefully a new version of the work is created by every viewer, who reads and reacts based on their own internal narrative and experience. And ideally, once in a blue moon, this version challenges the pre-existing narratives.

(simplified: I watch a lot of videos about history of religion, different historic contexts, ancient more esoteric stuff, anything AI related and too much world news… And love diagrams.)

SKU: jana.coolen@hotmail.com Category:

Description

I planned to send a fragment of one of my most recent paintings, one that I am very happy with and made sense in this context.

But while i was making sure the picture of the close-up of the painting was in the correct size and format and quality, it just really started to bother me that it was a picture of a close-up of a painting trying to become a billboard, and I wanted it to be functioning as the thing it would actually be.

At first i thought it would be funny to just write ‘I invite you to draw this’ on an empty poster, but then I thought a bit further on the idea of relationships, and thought it could be interesting to reflect more literally on this. I ended up with an invitation to draw the feeling of looking at and being looked at by each other.

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