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Gloria Luca (b. 1988, Iaşi, Romania) is a Madrid-based multimedia artist whose practice explores urban space as a site of memory, transformation, and symbolic negotiation. Working with photography, ready-mades, and text, she investigates how movement and displacement shape urban landscapes and influence perceptions of identity and belonging.

Luca approaches photography as a kinetic, movement-based practice that reveals hidden narratives and spontaneous routes within the city. Her work draws from avant-garde practices such as Dadaist anti-walks, Surrealist deambulations, and the Situationist dérive to engage with psychogeography and public space. Deeply informed by her experience of relocating from post-Soviet Eastern Europe to Spain, her practice examines both physical and symbolic displacements and their impact on individual and collective identity.

Gloria was a research fellow in prestigious art programs such as ‘Art and Thought Lab,’ run by Es Baluard Museum in Palma de Mallorca, and ‘Connective Tissue,’ a training program in artistic research practices run by the Study Centre of Museo Reina Sofía, Madrid.

Her work has been exhibited at the Museum of Natural History of Crete, Heraklion (2022); Museu de l’Empordà, Figueres (2021); The Art Building in Vrå, Denmark (2020); Le Beffroi Cultural Centre, Montrouge (2019); KulturKontakt Austria, Vienna (2018); and the National Gallery – Trade Fair Palace, Prague (2015).

She is also the author of ‘Dan Perjovschi: The Horizontal Newspaper – A School of Text and Image’ (Curtea Veche, Bucharest, 2022), launched during Perjovschi’s participation in Documenta Fifteen.

SKU: gloria.luca@yahoo.com Category:

Beschrijving

Through the Lines

digital photograph taken #enpleinair in Madrid, Spain, 2024

As an Eastern European artist who relocated to Madrid over five years ago, I often move through the city as both participant and observer, navigating it through a lens of both familiarity and estrangement. ‘Through the Lines’ was taken during one of my open-air work sessions, in front of a kindergarten window where oversized, crayon-like bars turn a protective grid into a joyful composition. It was a moment where structure met play — a quiet reminder that creativity often finds its way through constraint.

This image reflects on the relationships we build with our surroundings: how cities carry traces of memory, relocation, and emotional texture. The colorful pencils evoke childhood, imagination, and the universal language of play — yet they also serve as a barrier. The colors invite joy, but the form suggests boundaries — perhaps those of childhood, institutional life, or cultural integration. It is this duality that drew me in: the way everyday urban details speak to larger stories of care, control, and transformation.

Displayed in Antwerp’s public space, ‘Through the Lines’ invites viewers to look past the obvious — to consider how creativity persists within boundaries, how play becomes a form of resilience, and how we all, in different ways, navigate the spaces between inside and out. This work hopes to resonate with anyone who has ever stood at the threshold of a new language, a new city, or a new life — and discovered an unexpected sense of belonging there.

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