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Description

Listen to the audio description of this artwork:

“This photograph is the last I ever took of my parents. It stands as both a testament to love and a fragment of time—something I can hold onto even as the past slips away. My father’s hand, weakened by an illness we hadn’t yet named, rests gently on her body, a gesture so familiar and yet, in that moment, monumental. Light filters through the window, casting a softness over their skin, making them look like a memory already fading.

His fingers traced invisible lines on her skin spoke of time itself. The moment was suspended between past and present, between the parents I once knew and who they had become in my absence. The photograph reminds me that the past is not static; even the most intimate gestures evolve under the weight of time.

There’s comfort in the familiarity, and strangeness in how unfamiliar it feels. The way he touches her is both deeply known and oddly distant, as if I’m witnessing something no longer mine. And yet, this image connects me to them. Though it’s been almost two years since he passed, I still hear the murmur of their voices, just beyond the frame.”

 

art print - not available for sale

“Spanish-Colombian artist, researcher, and cultural manager currently based between Colombia and Belgium. My practice moves across photography, research, and curatorial/cultural work, with a focus on the intersections of memory, identity, and visual culture in Latin America and its diasporas.

Through photography, I explore how images function as both testimony and trace—revealing the fragile, constructed nature of memory. I’m interested in how memory is not only archived, but also imagined, fragmented, and reactivated. Rather than treating history as something static, I approach it as a living and porous presence—something that continues to shape the present and can be reshaped through visual storytelling. Working with analog and digital techniques—such as collage, chemical interventions, and archival manipulation. These gestures allow me to interrupt, distort, or layer images in a way that mirrors how memory itself functions—imperfect, fragile, and constantly rewritten.

I’m currently pursuing an MA in Cultural Studies at KU Leuven, where I am deepening my understanding cultural memory and identity. I also hold an MA in Visual Arts (Photography) from the Royal Academy of Fine Arts in Antwerp and completed an academic exchange at the Instituto Superior de Arte in Havana, Cuba. These experiences have shaped my approach to image-making, deepening my commitment to working critically with archives, histories, and material processes.

Alongside my artistic work, I’m involved in curatorial and academic research. I am currently a research assistant intern at the Museum of Fine Arts in Ghent. I also serve as a Cultural Manager at the Embassy of Spain in Colombia, where I am currently developing projects related to cultural exchange and giving visibility to Spanish culture and artistic expressions.”