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Paul Coldwell studied at UWE (Bristol) and then at the Slade School of Art, London. He was appointed Professor in Fine Art at the University of the Arts London in 2001. As a practicing artist and researcher his practice includes prints, book works, sculptures, and installations. He has exhibited widely both in UK and abroad, his work included in numerous public collections, including Tate, V&A, the British Museum, the Arts Council of England, the Musee d’art et d’histoire, Geneva and MoMA (New York). He has been selected for numerous International Print Exhibitions including, the Ljubljana Print Biennial, the International Print Triennial Krakow, and the Northern Print Biennial.
He has been a regular contributor to a number of publications including, Art in Print, Printmaking Today, and Print Quarterly where he has been on the editorial board since 2009.
In 2010 he published a major survey of print-making, Printmaking: A Contemporary Perspective (Black Dog Publishers) and his new book on Woodcut is due for publication with Penguin Michael Joseph in early 2026.

SKU: paulvictorcoldwell@gmail.com Category:

Description

In this print The Chains that Bind, I continue my investigation into the language of still life and the objects with which we engage with in our daily lives. In The chains that bound, I have taken my domestic private world into the public realm, onto the street for public scrutiny as a contribution to the Onboard Bienniale. The print brings together a photographic image of small picture frames made in my studio onto which I have placed a scanned image of a glass linked chain. Through this I want to suggest the nature of personal relationships as being both concrete and frail. My intention in using the blank cast picture frames is to invite the audience or the passer by, to project their own images of their own friends or relatives onto them. They might even glimpse their own reflection while looking at the print, adding a further dimension. Either way, the print is awaiting the audience to complete the image and reflect on the relationships that bind them.

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