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Description

Presented by: Sofie Van De Velde

Listen to the audio description of this artwork:

ENG

During my childhood and teenage years, I spent a lot of time in the Amazon rainforest, where my family comes from. In that environment, everything is sown and harvested by hand. This work is a direct reference to that place: a self-portrait together with my family.

Through the window, the trees of the rainforest are visible — a reminder of the abundant nature that once surrounded us. The light colors of our clothing reflect the warmth of the climate. The lemons on the table, which are often used as decorative objects in Western interiors, here symbolize the act of growing one’s own fruits and vegetables — a natural part of daily life there.

My gaze carries a sense of nostalgia: a quiet reflection on longing and the ache of absence. The title of the work refers to my broader practice — capturing fragments of my life on canvas, moments deeply rooted in my past. With this piece, I aim to interpret my experiences there and how those memories are reflected in my work.

NL

Tijdens mijn kinder- en jeugdjaren bracht ik veel tijd door in het Amazonewoud, waar mijn familie vandaan komt. In die omgeving wordt alles met de hand gezaaid en geoogst. Dit werk is een directe verwijzing naar die plek: een zelfportret samen met mijn familie.

Door het raam zijn de bomen van het regenwoud zichtbaar — een herinnering aan de overvloedige natuur die ons omringde. De lichte kleuren van onze kleding verwijzen naar de warmte van het klimaat. De citroenen op tafel, die in een westers interieur vaak als decoratief object worden gebruikt, staan hier symbool voor het zelf telen van groenten en fruit — een vanzelfsprekend onderdeel van het dagelijks leven daar.

Mijn blik draagt een gevoel van nostalgie: een stille reflectie op het gemis en het verlangen om terug te keren. De titel van het werk verwijst naar mijn bredere praktijk: het vastleggen van fragmenten uit mijn leven op doek — momenten die diep verankerd zijn in mijn verleden. Met dit werk probeer ik een interpretatie te geven van mijn ervaringen daar, en hoe die beleving zich weerspiegelt in mijn werk.

art print - not available for sale

°1988, Lima, PE
Lives and works in Ghent, BE
Graduated from KASK and HISK in Ghent, BE
Villavicencio Pizango participated in the Paradise Air Residency in Matsudo, Japan in 2017.

Having grown up in the Peruvian capital of Lima and the small village of Santiago De Borja in the Amazon rainforest, Shirley Villavicencio Pizango moved to Ghent, Belgium when she was eighteen years old. Fourteen years later, Villavicencio Pizango has nicely reconciled these diverse experiences to record her daily life in Ghent by painting portraits of family, friends and strangers. She portrays her sitters within lush vegetation and amidst textiles, pottery and geometric forms reminiscent of Incan sources. Her paintings are colorful, loose, expressionistic and folky and her sitters are depicted with a concise sensitivity that conveys nostalgia, memory and melancholy.

Instagram: https://www.instagram.com/shurleey/

Sofie Van De Velde

Gallery Sofie Van de Velde, located in Antwerp, stands for entrepreneurship in art. Through the
participation in art fairs and exhibitions, the gallery focuses on representing artists in a strong
international network. Together with the artist, a process is defined to bring the body of work to a
new level. Moving away from a conventional competition-minded gallery model, Sofie Van de
Velde’s philosophy is one of collaboration and shared opportunities and networks.
Art Integration

Through active use of its international network, Gallery Sofie Van de Velde continuously seeks
opportunities to integrate art in the city and in the public space. The bringing together of artists
and projects in a broader context is part of the gallery’s entrepreneurial view on art, and
endorses the belief that a dialogue between the city and the contemporary art scene is mutually
beneficial.
In doing so, the gallery works with three distinct groups of artists: young artists who bring fresh
perspectives and innovation to the contemporary art world; mid-career artists, whose evolving
practices contribute significantly to the cultural dialogue; and artist estates, preserving and
promoting the legacies of historical artists. This holistic approach ensures support at every stage
of an artist’s journey while celebrating the enduring relevance of past artistic achievements.

Estates

As a consequence of a deep affection for certain oeuvres, Gallery Sofie Van de Velde also
supports and manages several artist estates. In close collaboration with the family of the
deceased artist, the gallery offers structural and visionary support when necessary. In doing so, it
protects the oeuvre and allows it to grow gradually in a broad and international context.
Currently Gallery Sofie Van de Velde manages the artist estates of Ilse D’Hollander, Guy Mees,
Charlotte Posenenske, Roger Raveel and Bernd Lohaus.
Gallery Sofie Van de Velde occasionally opts for the inclusion of earlier works in exhibitions.
Bringing twentieth century works together with contemporary pieces, is a way of proving they
haven’t lost any of their relevance. Structurally supporting artist estates is another one.

Website: www.sofievandevelde.be