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Volkan Diyaroglu, Spanish-Turkish artist, was born in Istanbul in 1982. He studied at the Fine Arts Faculty of Mimar Sinan University in Istanbul and at the Facultad de Bellas Artes de San Carlos de Valencia, Spain. He won one of the most important art prizes in Spain, the XXXV Bancaja Painting, Sculpture and Digital Art Prize, in 2008. He has had 25 solo exhibitions in countries such as Belgium, Singapore, France, Turkey, Spain and others. He has participated in numerous group exhibitions in museums and galleries such as IVAM Valencia, Evliyagil Istanbul, Immigration Museum Melbourne, Elgiz Museum Istanbul, etc.

Although the main focus of his artistic activity is painting, his work includes a variety of

sculptures, drawings, collages, digital and video art. Diyaroglu’s paintings are in many private, gallery, foundation and corporate collections. A six-volume monograph of his work from 2002-2018 will be published in Turkey in 2021. He currently lives and works between Berlin, Gorzow Wielkopolski (Poland) and Valencia (Spain).

SKU: volkanevents@gmail.com Category:

Description

I do not believe in luck, but I believe in bad luck. Such bad luck may consist in, for example, being born in the Middle East, i.e. in a region of the world plagued by constant crises. In such a place, playing by the rules does not guarantee success. More than that: It does not even maintain the order of the game. These objective factors contradict the belief that the global establishment is trying to instil in us – that we can freely change our lives through hard work, intelligence, persistence or consistent action. Although it is easy to dispel this illusion, we consciously or unconsciously want to believe in it. It is one of the lies that allows us to live each new day, to wade through the life we were thrown into, forget about everything beyond our influence.

This “short poem in three dimensions,” as I call it, was inspired by backgammon, a game which is very popular in Turkey. The loser’s frustration is often expressed by accusing the triumphant opponent of “being lucky” or somehow manipulating the dice. In this case, however, the dice is pinned down and immobilised by an extinguished cigarette – a symbol of withdrawing from the game and abandoning the delusions endlessly produced and reproduced by the media, education, family and culture.

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