Beschrijving
Alex Bodea’s interest in depicting humans mid-action is expanded into ambitious narrative paintings and drawings defined by impressive painterly techniques, and the figures they insert into an array of queer imaginaries. She utilise mythological imagery and historiography to draw out scenes which belong more in the realm of exterior (as opposed to interior) fantasy. Glam In The Land of Filth depicts grand social scenes, informed by contemporary political realities, filtered through fantastical and aspirational imagination, and leaps in time, into a place where figures seem to have conquered something akin to a scrapyard, but the glee on their faces and the scope of their ambition to build something on top of these scraps seems limitless. They have each other, and so do Bodea’s works, engaging with both am imaginary and real past, present, and future, offering strength and resilience through the hopeful micro-gestures and promises of a soft touch, placing them in mis-en-scènes where they may or may not have ever belonged.
The work is guiding us through a destitute landscape which evidence and expand on our manifold existence. As the world around us strips people of their dignity and damages social connections, our friends and the micro-worlds and mini-tableaus in Glam in The Land of Filth become a testament to the creativity of survival. The work is a hymn dedicated to the alternatives (i.e. ways of living, beauty, etc.), a choir of seemingly endless narrative potential.
(curatorial text by Håkon Lillegraven)
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