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Gert Motmans (BE) is a visual artist based in Antwerp.

His work explores themes of memory, transience, queer desire, and the poetics of image-making.

Working primarily with analog photography, collage and found materials, Motmans creates fragile, layered pieces that feel both timeless and deeply personal.

His visual language floats between figuration and abstraction, intimacy and distance, past and present.

Using 35mm film, vintage imagery, handwritten fragments and tactile surfaces such as Japanese kozo and bamboo paper, he constructs works that resemble visual poems — quiet, melancholic, and emotionally resonant.

His titles, often poetic in themselves, suggest stories that remain partly untold: “Scenes change before they are over,” “The same as it never was.”

Motmans’ work has been exhibited with Galerie Esther Woerdehoff (Paris), Ibasho Gallery (Antwerp), and Deuss Gallery (Antwerp), and featured at Paris Photo, Unseen Amsterdam, Photo Basel, and Art Paris.

In 2024 he was selected as a LensCulture Critics’ Choice winner, and his work has been published internationally in magazines and artist books.

For Motmans, making art is a form of emotional archiving — a slow, tactile way of preserving what fades, and of translating silence, memory, and longing into visual form.

SKU: gert.motmans@me.com Category:

Beschrijving

“I Walk Upon the Crown of Your Hands”

This collage is a visual homage to the intimate and creative relationship between Jean Cocteau and Jean Marais. Their bond — romantic, artistic, spiritual — unfolded in a time when queer love had to exist in the margins, and yet their connection radiated openly through poetry, film, and drawing. One of the many letters Cocteau wrote to Marais inspired this work:

“Moi je marche sur la couronne de tes mains” – I walk upon the crown of your hands.”

Hands fascinated Cocteau. In his universe, they are not merely body parts but symbols of creation, love, suffering, and the supernatural.

From the hand that reaches through the mirror in Orphée to the drawn mouth that appears on a hand in Le Sang d’un Poète, Cocteau’s hands are portals between worlds — poetic, erotic, and surreal.

This piece was created using prints on Japanese kozo and bamboo paper. It combines modernist abstraction with tender fragments: a photographed hand, a painted gesture made by Cocteau, and a subtle detail of his handwritten name. Like Cocteau’s own work, the image floats between personal memory and myth, love and art, body and symbol.

“Hands are the antennae of the soul,” Cocteau once said.

In this piece, they become a quiet, tactile expression of queer love — fragile yet enduring.

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